Movie Review: ‘Road House’ | Moviefone

Premiering on Prime Video March 21st is ‘Road House,’ which is a remake of the classic Patrick Swayze action movie. The new film was directed by Doug Liman (‘Mr. & Mrs. Smith,’ ‘The Bourne Identity’) and stars Jake Gyllenhaal (‘Spider-Man: Far From Home,’ ‘Ambulance’) as Dalton.

Related Article: Jake Gyllenhaal and Director Doug Liman Working on ‘Road House’ Remake

Initial Thoughts

Despite being beloved now, the original ‘Road House’ was not a great movie. Really, it was a “so bad its good” movie and has since become a nostalgic classic thanks mostly to Patrick Swayze’s bizarrely serious performance in a film that didn’t deserve that much effort. So, what happens when you remake an essentially bad movie? You just get another bad movie!

Removing all the mystery behind the character of Dalton, his Eastern philosophy, and the unintentional humor, the result is a paint-by-numbers action film that never really works on any other level. Despite some unique direction in the fight scenes from filmmaker Doug Liman, and a charming and strong performance from Jake Gyllenhaal, ‘Road House’ will leave viewers unsatisfied and longing for the silliness of the original.

Story and Direction

The movie begins by introducing us to the character of Elwood Dalton (adding a new first name for the remake), played by Jake Gyllenhaal. Dalton is a down-on-his-luck ex-UFC fighter who accidentally killed an opponent in the ring, and now cannot get anyone to fight him. He soon meets Frankie (Jessica Williams), who owns a bar in the Florida Keys called “The Road House.” (Yes, that’s now the name of the bar and its never really explained why.) Some locals are causing trouble, and she hires Dalton, who unlike the original has no experience bouncing, to clean up her establishment.

Upon his arrival, Dalton befriends a young girl named Charlie (Hannah Love Lanier) and her father, as well as some of the other Road House employees and a local doctor named Ellie (Daniel Melchoir), who he begins a relationship with. After expelling some of the riff raff from the bar, Dalton discovers that rich businessman Ben Brandt (Billy Magnussen) is behind the trouble and is trying to get Frankie to sell him the bar so he can tear it down and build a luxury hotel. Having his hands full with Dalton, Brandt hires a madman named Knox (played by real UFC fighter Conor McGregor) to take him out.

The updates to the story only work to eliminate any of the humor and charm of the original movie and make this a more standard action movie. Dalton’s UFC background is an interesting 2024 addition, but completely strips Dalton of the mystery that made the character interesting in the first place. In 1989’s ‘Road House,’ Patrick Swayze’s Dalton was a professional bouncer, and had a philosophy (“Be Nice”) that formed his personality. He was also a mysterious character, with no first name, no home to call his own and a sorted past. The new film tries to establish itself as a modern Western but fails on many levels.

While I liked the idea of adding the UFC background, it doesn’t work and strips the character of everything that made him unique in the original. If director Doug Liman wanted to make a movie about an ex-UFC fighter troubled by what happened in the ring, he should have just made that movie and left the ‘Road House’ franchise alone. Again, it’s not like the original was some great movie no one should touch, but if you are going to remake it, try to include some of what made the first movie popular over the decades.

I will give Liman credit for some fun and exciting fight sequences, both in the ring and out. For Dalton’s UFC flashback scenes, (and again, we don’t want to know about Dalton’s past, we want it to be a mystery, but I digress) Liman wisely shot during a real UFC fight and those scenes were excellent. Liman has the camera right in the ring and you feel every punch and kick. The fight scenes in the bar are great too, especially when Dalton and Knox face off. Liman uses a Steadicam for those sequences and rarely cuts, giving off the illusion of one long take. But there are other fight sequences that seemed more contrived, like when Dalton first fights the bikers, in a very ‘Jack Reacher,’ “Are you sure you want to do this” type of way.

Jake Gyllenhaal’s Transformative Performance

This movie belongs to Jake Gyllenhaal, as he’s the only one giving a decent performance. While I don’t agree with many of the changes that they made to the character and the story, you can’t help but root for Gyllenhaal’s Dalton. The actor captures much of the charm and charisma that Swayze had in the original, while also being physically believable.

We’ve seen the actor physically transform before, playing a boxer in the excellent ‘Southpaw,’ so his action scenes are completely believable. Now, I expect that in real life Gyllenhaal would be no match for Conor McGregor, but you do think that while outmatched, Dalton does have a chance against Knox, and that is because Gyllenhaal is so believable in the role.

Other Performances

Speaking of McGregor, he’s also fun in the movie thanks to his wild character and performance. Physically, he is exactly the type of person you need in a movie like this, and he is clearly having fun playing his cartoonish yet dangerous character.

Daniela Melchior plays Ellie, Dalton’s love interest, a role played by Kelly Lynch in the original. Melchior is a great actress and was excellent in ‘The Suicide Squad,’ but is let down here by the screenplay. She has nice chemistry with Gyllenhaal, but is never really allowed to explore it, not in the way Swayze and Lynch did in the original and their relationship is never established enough to work when the script needs it to in the final act.

In fact, all the female roles are underwritten, which was disappointing to say the least. The role of Frankie the bar owner was gender-swapped from the original, but Jessie Williams is given almost nothing to do but recruit Dalton and seems to disappear halfway through the film. They hint at an attraction between Dalton and Frankie, but that is never explored.

Even Hannah Love Lanier’s Charlie is not given enough to do. Dalton makes a connection with her early in the film only to give the bad guys leverage against him in the third act. She basically disappears through the course of the movie as well, and I would have liked to have explored that character and her relationship to Dalton more.

Billy Magnussen’s Villain

‘No Time to Die’s Billy Magnussen plays Ben Brandt, which is the remake’s version of Brad Wesley, the villain in the original played by legendary Hollywood actor Ben Gazzara. I have to say that I don’t understand the need to make this a younger character. Brandt never gets into a physical fight with Dalton (although even Gazzara and Swayze had a fight scene in the original), so why the character was made younger, I have no idea? But it doesn’t work.

Instead of playing an older former mob boss who controls the town with his power, Brandt is instead the son of an imprisoned mob boss, trying to run his father’s crime family how he sees fit while still looking for daddy’s approval. The result is a crybaby of a villain that you neither fear nor care about. Magnussen does his best with the poorly written role, chewing up some scenery, but it never really amounts to much on screen.

Final Thoughts

To be fair, ‘Road House’ is at times just as dumb and fun as the original, but that’s not saying much. Gyllenhaal’s performance is solid, but the actor deserved a better script. The action sequences are good, thanks to Liman’s camera work and Gyllenhaal and McGregor’s performances, but the poor script, focus on the UFC, and nonsensical changes from the original, strip the movie of any originality, mystery or silly fun that we may expect from the franchise.

‘Road House’ receives 4.5 out of 10 stars.

What is the Plot of ‘Road House’?

A former UFC middleweight fighter (Jake Gyllenhaal) ends up working at a roadhouse in the Florida Keys where things are not as they seem.

Who is in the Cast of ‘Road House’?